Hello there!
Hello there!
Hello there!
Hello there!
Hello there!
I am Raúl, an illustrator and designer from Barcelona, Spain. I give life and character to products and publications, and help companies dynamically express ideas.
I am Raúl, an illustrator and designer from Barcelona, Spain. I give life and character to products and publications, and help companies dynamically express ideas.
I am Raúl, an illustrator and designer from Barcelona, Spain. I give life and character to products and publications, and help companies dynamically express ideas.
I am Raúl, an illustrator and designer from Barcelona, Spain. I give life and character to products and publications, and help companies dynamically express ideas.
I am Raúl, an illustrator and designer from Barcelona, Spain. I give life and character to products and publications, and help companies dynamically express ideas.
About me
About me
About me
About me
About me
Over the past 25 years, I've worked in almost every imaginable area of design, with a particular focus on visual identity and interface design projects. I've collaborated on advertising campaigns, illustrated stories and book covers, designed websites, apps, and video games, and created characters, among other things.
I've worked closely with other freelancers, but I've also been part of large and small teams, both very young and very experienced, learning a great deal in every situation.
My work
Over the past 25 years, I've worked in almost every imaginable area of design, with a particular focus on visual identity and interface design projects. I've collaborated on advertising campaigns, illustrated stories and book covers, designed websites, apps, and video games, and created characters, among other things.
I've worked closely with other freelancers, but I've also been part of large and small teams, both very young and very experienced, learning a great deal in every situation.
My work
Over the past 25 years, I've worked in almost every imaginable area of design, with a particular focus on visual identity and interface design projects. I've collaborated on advertising campaigns, illustrated stories and book covers, designed websites, apps, and video games, and created characters, among other things.
I've worked closely with other freelancers, but I've also been part of large and small teams, both very young and very experienced, learning a great deal in every situation.
My work
Over the past 25 years, I've worked in almost every imaginable area of design, with a particular focus on visual identity and interface design projects. I've collaborated on advertising campaigns, illustrated stories and book covers, designed websites, apps, and video games, and created characters, among other things.
I've worked closely with other freelancers, but I've also been part of large and small teams, both very young and very experienced, learning a great deal in every situation.
My work
Over the past 25 years, I've worked in almost every imaginable area of design, with a particular focus on visual identity and interface design projects. I've collaborated on advertising campaigns, illustrated stories and book covers, designed websites, apps, and video games, and created characters, among other things.
I've worked closely with other freelancers, but I've also been part of large and small teams, both very young and very experienced, learning a great deal in every situation.
My work
In the last five years, I've focused particularly on exploring my work as an illustrator, and combining it with my design work. I enjoy developing all kinds of projects in which illustration can provide a decisive value. This covers many areas. From offering alternative readings in editorial content to building complete narratives for books and games, or helping consolidate identity projects.
Currently, I divide my time between commercial work for clients and more personal projects—often self-initiated—in any medium where images, words, and/or interaction combine to tell stories.
Formally, my work is inevitably influenced by graphic design, classic European and American comic books, animation and contemporary illustration, with an important focus on characters and the clarity and legibility of the images.
In the last five years, I've focused particularly on exploring my work as an illustrator, and combining it with my design work. I enjoy developing all kinds of projects in which illustration can provide a decisive value. This covers many areas. From offering alternative readings in editorial content to building complete narratives for books and games, or helping consolidate identity projects.
Currently, I divide my time between commercial work for clients and more personal projects—often self-initiated—in any medium where images, words, and/or interaction combine to tell stories.
Formally, my work is inevitably influenced by graphic design, classic European and American comic books, animation and contemporary illustration, with an important focus on characters and the clarity and legibility of the images.
In the last five years, I've focused particularly on exploring my work as an illustrator, and combining it with my design work. I enjoy developing all kinds of projects in which illustration can provide a decisive value. This covers many areas. From offering alternative readings in editorial content to building complete narratives for books and games, or helping consolidate identity projects.
Currently, I divide my time between commercial work for clients and more personal projects—often self-initiated—in any medium where images, words, and/or interaction combine to tell stories.
Formally, my work is inevitably influenced by graphic design, classic European and American comic books, animation and contemporary illustration, with an important focus on characters and the clarity and legibility of the images.
In the last five years, I've focused particularly on exploring my work as an illustrator, and combining it with my design work. I enjoy developing all kinds of projects in which illustration can provide a decisive value. This covers many areas. From offering alternative readings in editorial content to building complete narratives for books and games, or helping consolidate identity projects.
Currently, I divide my time between commercial work for clients and more personal projects—often self-initiated—in any medium where images, words, and/or interaction combine to tell stories.
Formally, my work is inevitably influenced by graphic design, classic European and American comic books, animation and contemporary illustration, with an important focus on characters and the clarity and legibility of the images.
In the last five years, I've focused particularly on exploring my work as an illustrator, and combining it with my design work. I enjoy developing all kinds of projects in which illustration can provide a decisive value. This covers many areas. From offering alternative readings in editorial content to building complete narratives for books and games, or helping consolidate identity projects.
Currently, I divide my time between commercial work for clients and more personal projects—often self-initiated—in any medium where images, words, and/or interaction combine to tell stories.
Formally, my work is inevitably influenced by graphic design, classic European and American comic books, animation and contemporary illustration, with an important focus on characters and the clarity and legibility of the images.
My newsletter: In The Cave
Along the way, I've written hundreds of articles on art, design, and technology, many of which are buried online in old blogs, but I currently write a brief, humble newsletter: In the Cave. There, I share reflections, recommendations on art, culture & design, or just show advances on personal and commercial projects. Currently, it's the best place to stay in touch with me or my work.
My newsletter: In The Cave
Along the way, I've written hundreds of articles on art, design, and technology, many of which are buried online in old blogs, but I currently write a brief, humble newsletter: In the Cave. There, I share reflections, recommendations on art, culture & design, or just show advances on personal and commercial projects. Currently, it's the best place to stay in touch with me or my work.
My newsletter: In The Cave
Along the way, I've written hundreds of articles on art, design, and technology, many of which are buried online in old blogs, but I currently write a brief, humble newsletter: In the Cave. There, I share reflections, recommendations on art, culture & design, or just show advances on personal and commercial projects. Currently, it's the best place to stay in touch with me or my work.
My newsletter: In The Cave
Along the way, I've written hundreds of articles on art, design, and technology, many of which are buried online in old blogs, but I currently write a brief, humble newsletter: In the Cave. There, I share reflections, recommendations on art, culture & design, or just show advances on personal and commercial projects. Currently, it's the best place to stay in touch with me or my work.
My newsletter: In The Cave
Along the way, I've written hundreds of articles on art, design, and technology, many of which are buried online in old blogs, but I currently write a brief, humble newsletter: In the Cave. There, I share reflections, recommendations on art, culture & design, or just show advances on personal and commercial projects. Currently, it's the best place to stay in touch with me or my work.
FEATURED + TALKS
• Narranación #9
• Playing Arts 2020
• Dribbble Meetup BCN'19
• Semplice Showcase
• Yorokobu Magazine
• II&I (BNN Japan)
• Laus Book (ADG–FAD)
FEATURED + TALKS
• Narranación #9
• Playing Arts 2020
• Dribbble Meetup BCN'19
• Semplice Showcase
• Yorokobu Magazine
• II&I (BNN Japan)
• Laus Book (ADG–FAD)
QUICK FACTS ABOUT ME
1. Father & husband
2. Born in the 80s
3. From Barcelona
4. Taekwondo 4th Dan BB
5. Can’t drive a car
QUICK FACTS ABOUT ME
1. Father & husband
2. Born in the 80s
3. From Barcelona
4. Taekwondo 4th Dan BB
5. Can’t drive a car
WORK INQUIRIES
WORK INQUIRIES
WORK INQUIRIES
WORK INQUIRIES
WORK INQUIRIES
The imagination is not a state: it is the human existence itself — William Blake
The imagination is not a state: it is the human existence itself — William Blake
The imagination is not a state: it is the human existence itself — William Blake
The imagination is not a state: it is the human existence itself — William Blake