My work
My work
My work
My work
My work
I enjoy working on all kinds of projects in which illustration can provide a decisive value. This covers many areas. From offering alternative readings in editorial content to building complete narratives for books and games or helping to consolidate visual identities.
Formally, my work is influenced by classic European and American comic books, animation and contemporary illustration, with an important focus on characters and the clarity and legibility of the images.
I am interested in creative processes and I make educational content for illustrators and designers as 50% of Two Tale Tellers. Take a look at the classes published so far. You can also subscribe to my Substack newsletter.
BIO
I enjoy working on all kinds of projects in which illustration can provide a decisive value. This covers many areas. From offering alternative readings in editorial content to building complete narratives for books and games or helping to consolidate visual identities.
Formally, my work is influenced by classic European and American comic books, animation and contemporary illustration, with an important focus on characters and the clarity and legibility of the images.
I am interested in creative processes and I make educational content for illustrators and designers as 50% of Two Tale Tellers. Take a look at the classes published so far. You can also subscribe to my Substack newsletter.
BIO
I enjoy working on all kinds of projects in which illustration can provide a decisive value. This covers many areas. From offering alternative readings in editorial content to building complete narratives for books and games or helping to consolidate visual identities.
Formally, my work is influenced by classic European and American comic books, animation and contemporary illustration, with an important focus on characters and the clarity and legibility of the images.
I am interested in creative processes and I make educational content for illustrators and designers as 50% of Two Tale Tellers. Take a look at the classes published so far. You can also subscribe to my Substack newsletter.
BIO
I enjoy working on all kinds of projects in which illustration can provide a decisive value. This covers many areas. From offering alternative readings in editorial content to building complete narratives for books and games or helping to consolidate visual identities.
Formally, my work is influenced by classic European and American comic books, animation and contemporary illustration, with an important focus on characters and the clarity and legibility of the images.
I am interested in creative processes and I make educational content for illustrators and designers as 50% of Two Tale Tellers. Take a look at the classes published so far. You can also subscribe to my Substack newsletter.
BIO
I enjoy working on all kinds of projects in which illustration can provide a decisive value. This covers many areas. From offering alternative readings in editorial content to building complete narratives for books and games or helping to consolidate visual identities.
Formally, my work is influenced by classic European and American comic books, animation and contemporary illustration, with an important focus on characters and the clarity and legibility of the images.
I am interested in creative processes and I make educational content for illustrators and designers as 50% of Two Tale Tellers. Take a look at the classes published so far. You can also subscribe to my Substack newsletter.
BIO
After an extensive career (+20y) in multiple areas of design, learning and collaborating with all kinds of professionals, I decided to recover my passion for illustration, dividing my activity between commercial work for clients and more personal projects —often self-initiated— in any medium in which images, words and/or interaction combine to tell stories.
After an extensive career (+20y) in multiple areas of design, learning and collaborating with all kinds of professionals, I decided to recover my passion for illustration, dividing my activity between commercial work for clients and more personal projects —often self-initiated— in any medium in which images, words and/or interaction combine to tell stories.
After an extensive career (+20y) in multiple areas of design, learning and collaborating with all kinds of professionals, I decided to recover my passion for illustration, dividing my activity between commercial work for clients and more personal projects —often self-initiated— in any medium in which images, words and/or interaction combine to tell stories.
After an extensive career (+20y) in multiple areas of design, learning and collaborating with all kinds of professionals, I decided to recover my passion for illustration, dividing my activity between commercial work for clients and more personal projects —often self-initiated— in any medium in which images, words and/or interaction combine to tell stories.
After an extensive career (+20y) in multiple areas of design, learning and collaborating with all kinds of professionals, I decided to recover my passion for illustration, dividing my activity between commercial work for clients and more personal projects —often self-initiated— in any medium in which images, words and/or interaction combine to tell stories.
FEATURED + TALKS
• Narranación #9
• Playing Arts 2020
• Dribbble Meetup BCN'19
• Semplice Showcase
• Yorokobu Magazine
• II&I (BNN Japan)
• Laus Book (ADG–FAD)
FEATURED + TALKS
• Narranación #9
• Playing Arts 2020
• Dribbble Meetup BCN'19
• Semplice Showcase
• Yorokobu Magazine
• II&I (BNN Japan)
• Laus Book (ADG–FAD)
QUICK FACTS ABOUT ME
1. Father & husband
2. Born in the 80s
3. From Barcelona
4. Taekwondo 4th Dan BB
5. Can’t drive a car
QUICK FACTS ABOUT ME
1. Father & husband
2. Born in the 80s
3. From Barcelona
4. Taekwondo 4th Dan BB
5. Can’t drive a car
WORK INQUIRIES
WORK INQUIRIES
WORK INQUIRIES
WORK INQUIRIES
WORK INQUIRIES
The imagination is not a state: it is the human existence itself — William Blake
The imagination is not a state: it is the human existence itself — William Blake
The imagination is not a state: it is the human existence itself — William Blake
The imagination is not a state: it is the human existence itself — William Blake