Photos by MC Latorre
My work
My work
My work
My work
My work
I enjoy working on all kinds of projects in which drawing and illustration can provide decisive value. This covers many areas. From enriching editorial content to illustrating books, designing characters or doing visual development for games.
Formally, my work is influenced by classic European and American comic books, animation and contemporary illustration, with an important focus on characters and colour, and the clarity and legibility of the images.
I am very interested in creative processes and I make educational content for illustrators and designers as 50% of Two Tale Tellers. Take a look at the classes published so far. You can also subscribe to my Pencilbooth newsletter.
BIO
I enjoy working on all kinds of projects in which drawing and illustration can provide decisive value. This covers many areas. From enriching editorial content to illustrating books, designing characters or doing visual development for games.
Formally, my work is influenced by classic European and American comic books, animation and contemporary illustration, with an important focus on characters and colour, and the clarity and legibility of the images.
I am very interested in creative processes and I make educational content for illustrators and designers as 50% of Two Tale Tellers. Take a look at the classes published so far. You can also subscribe to my Pencilbooth newsletter.
BIO
I enjoy working on all kinds of projects in which drawing and illustration can provide decisive value. This covers many areas. From enriching editorial content to illustrating books, designing characters or doing visual development for games.
Formally, my work is influenced by classic European and American comic books, animation and contemporary illustration, with an important focus on characters and colour, and the clarity and legibility of the images.
I am very interested in creative processes and I make educational content for illustrators and designers as 50% of Two Tale Tellers. Take a look at the classes published so far. You can also subscribe to my Pencilbooth newsletter.
BIO
I enjoy working on all kinds of projects in which drawing and illustration can provide decisive value. This covers many areas. From enriching editorial content to illustrating books, designing characters or doing visual development for games.
Formally, my work is influenced by classic European and American comic books, animation and contemporary illustration, with an important focus on characters and colour, and the clarity and legibility of the images.
I am very interested in creative processes and I make educational content for illustrators and designers as 50% of Two Tale Tellers. Take a look at the classes published so far. You can also subscribe to my Pencilbooth newsletter.
BIO
I enjoy working on all kinds of projects in which drawing and illustration can provide decisive value. This covers many areas. From enriching editorial content to illustrating books, designing characters or doing visual development for games.
Formally, my work is influenced by classic European and American comic books, animation and contemporary illustration, with an important focus on characters and colour, and the clarity and legibility of the images.
I am very interested in creative processes and I make educational content for illustrators and designers as 50% of Two Tale Tellers. Take a look at the classes published so far. You can also subscribe to my Pencilbooth newsletter.
BIO
After an extensive career (+20y) in multiple areas of design, learning and collaborating with all kinds of professionals, I decided to recover my passion for illustration, dividing my activity between commercial work for clients and more personal projects —often self-initiated— in any medium in which images, words and/or interaction combine to tell stories.
After an extensive career (+20y) in multiple areas of design, learning and collaborating with all kinds of professionals, I decided to recover my passion for illustration, dividing my activity between commercial work for clients and more personal projects —often self-initiated— in any medium in which images, words and/or interaction combine to tell stories.
After an extensive career (+20y) in multiple areas of design, learning and collaborating with all kinds of professionals, I decided to recover my passion for illustration, dividing my activity between commercial work for clients and more personal projects —often self-initiated— in any medium in which images, words and/or interaction combine to tell stories.
After an extensive career (+20y) in multiple areas of design, learning and collaborating with all kinds of professionals, I decided to recover my passion for illustration, dividing my activity between commercial work for clients and more personal projects —often self-initiated— in any medium in which images, words and/or interaction combine to tell stories.
After an extensive career (+20y) in multiple areas of design, learning and collaborating with all kinds of professionals, I decided to recover my passion for illustration, dividing my activity between commercial work for clients and more personal projects —often self-initiated— in any medium in which images, words and/or interaction combine to tell stories.
Featured + Talks
• Drip for Drip Groupshow
• Territorimac
• Playing Arts 2020
• Dribbble Meetup BCN'19
• Ballpitmag
• Semplice Showcase
• Yorokobu Magazine
• II&I (BNN Japan)
• Laus Book (ADG–FAD)
Featured + Talks
• Drip for Drip
• Territorimac
• Playing Arts 2020
• BCN Dribbble Meetup
• Ballpitmag
• Semplice Showcase
• Yorokobu Magazine
• II&I (BNN Japan)
• Laus Book (ADG–FAD)
Quick facts about me
1. Father
2. Vegetarian
3. Taekwondo 4th Dan BB
4. Born in Barcelona
5. Can’t drive a car
Quick facts about me
1. Father
2. Vegetarian
3. TKD 4th Dan BB
4. Born in Barcelona
5. Can’t drive a car
Work inquiries
raul@raul-gil.com
Work inquiries
raul@raul-gil.com
Work inquiries
raul@raul-gil.com
Work inquiries
raul@raul-gil.com
Work inquiries
raul@raul-gil.com
The imagination is not a state: it is the human existence itself — William Blake
The imagination is not a state: it is the human existence itself — William Blake
The imagination is not a state: it is the human existence itself — William Blake